Whether you’re a beginner painter or an experienced artist who just needs a refresher, let’s brush up on the most important tool in your painting arsenal: your oil paint brushes.

• Good Oil Paint Brushes
• Best Oil Paint Brushes Brands
• Best Oil Paint Brushes For Procreate

Resplendent Grapes via Dorothy Lorenze, using medium and small round sable brushes.

A little trial and error may be required when working with a new oil painting brush, but this blog post should point you in the right direction. I’ll explain distinct types and shapes of oil paint brushes.

Good quality paint brushes are a must-have tool to ensure that your model gets the beautiful paint job that you envision. This modeling brush is a reasonably-priced high quality pointed. $ 10.39 $ 12.00. Da Vinci Oil Maestro Liner Brush. (Best Overall) da Vinci oil maestro liner brush is a medium length.

Buying oil paint brushes

While it’s not all about price, it’s a good idea to get the best quality you can afford. Professional materials do not a “professional” make, but supplies that perform well will reduce your level of frustration.

Some excellent oil paint brush brands include:

Two qualities to look for in every oil painting brush are “spring” and “shape” resiliency. A brush should have enough spring to respond well to your hand when you make a stroke. It should give a little — but not too much — so you get the stroke weight you desire. A higher quality brush holds its shape, meaning the hairs don’t spread too much when loaded or stay spread after use.

Parts of a oil paint brush

Starting with the basics, there are three parts of a paintbrush: bristles, ferrule and handle.

Bristles

These are the “hairs” that carry the paint. Bristles can be stiff hog’s hair or softer sable (or other soft natural hair) or synthetic. In a quality brush, the ends will taper to a fine edge, allowing more control.

Ferrule

The ferrule is the metal band that secures the bristles and connects them to the handle. Avoid filling your brush with paint up to the ferrule. If paint dries at the ferrule juncture, it’s harder to clean and will spread the bristles, making the brush lose its point.

Handle

Handles are long or short, wood or plastic. Long-handled brushes are classic and allow you to take a farther view to keep your composition in perspective. When you hold your brush toward the end of a long handle, it touches the canvas in a more sensitive way, creating a more lyrical painting. Think of your brush as an extension of your arm and fingertips rather than a writing utensil.

Types of paint brushes

The two distinctly different types of brushes for oil painting are bristle and sable.

Bristle brushes

While all brushes have bristles, it’s the stiffer hog’s hair brushes that are referred to as bristle brushes. The stiff hog’s hair grabs more paint so bristle brushes are great if you work thickly or like to accentuate brushstrokes.

Sable brushes

Sable brushes are soft and can be made from actual weasel hair (yep, sables are a kind of weasel), squirrel, rabbit or synthetic fibers. These soft brushes are perfect for finer details and smoother blending. Do not fear the synthetic brush — many newer ones are excellent.

We usually think of bristle brushes for oil and sable for watercolor. But sable-type brushes are wonderful for oil painting. Just remember, if you work in both media, do not go back and forth between oil and watercolor with the same brush. Chaos will ensue!

Oil paint brush shapes

Fan

This is literally a fan-shaped arrangement of bristles. It’s a sweet-looking little brush, meant to be used for blending and subtle texture. Truthfully, the spread of hairs is generally so fine that I don’t find it especially useful for oils unless the paint is thin. But a fan brush does look cool in your paint box!

Round

Round brushes are said to be less versatile because the stroke doesn’t vary, but that’s exactly the attribute needed when painting details! That’s why smaller rounds are great for detail. Large round bristles work OK for oils, but save the soft rounds for watercolor. A heavily loaded, round sable brush can be unwieldy for oil painting.

Filberts

This is like a flat but with rounded sides, so it creates a softer edge and blends better than a flat. My first favorite brushes were Robert Simmons Titanium filberts because they had the coverage, control and blend-ability I was looking for.

Flats

Long, flat, rectangular brushes. Longer brush hairs carry more paint, so flats can cover more area per load. Held flat against the canvas, it creates smooth edges and sweeping strokes. Used on edge, relatively thin lines are possible. Sometimes flats are described by measurement, such as ¼” or ½” rather than brush sizes (more on brush sizes below).

Brights

Good Oil Paint Brushes

These are similar to a flat brush, but the hairs on brights are shorter. This allows a bit more control than the longer flat brush. Smaller bright bristle brushes are my go-to for texture, whether painting trees or fabric.

Lemon Light painting via Dorothy Lorenze using large and medium synthetic filberts

Understanding oil paint brush sizes

Brushes sizes range from super fine to an inch or more. They are numbered low to high, 0000 (or 4/0) being less than 0, and up to 24. Different brands will vary somewhat, so a No. 6 from one might be slightly larger than a No. 6 from another.

In oil painting, large bristle brushes are best for washes and the broad areas of backgrounds. Mid-size bristle brushes with sharp edges can also be used for some detail. Finer details are best accomplished with small, round, sable brushes.

Confused yet? Don’t fret. Start by investing in a few high-quality mid-to-large bristle brushes, and a couple of small-to-midsize sable brushes. See how they feel and which perform best for your style of painting. Six brushes should be enough to start. Spend some time with them. Because art supplies are like workout gear — no matter how much gear you buy, nothing improves until you use it!

Art Lesson 6, Part 1

In this lesson, you will discover How to Choose Brushes for Oil Painting

Best Oil Paint Brushes Brands

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How to Choose Brushes for Oil Painting

“How to Choose Brushes for Oil Painting” is an important topic for a fine artist. Have you seen the huge variety of brushes they offer at art supply stores? Yes, it’s totally confusing. All the natural and synthetic brushes of different shapes, sizes, brands, and qualities – there are too many choices.

With shapes alone, at least 10 types were invented, as the typical brush shape used by the Old Masters was a Round Brush, nothing exotic. Titian, for example, is well known for his desire to be different from Michelangelo and Raphael. Reportedly he had his brushes unkempt as a broom.

Let’s look at the most popular types of brush shapes that we can choose from:

• Round Brush. There are two sizes of Round Brushes.
• Flat Brush. There are also small and bigger sizes of Flat Brushes.
• Bright Brush. There are three sizes of Bright Brushes. This brush is actually a short version of a Flat Brush.
• Angle Brush.
• Filbert Brush. This is like a flat brush, only with a rounded shape.

Each type of brush produces a different stroke. But let’s be honest, it is enough to have just two types of brush sizes to create impressive and diverse strokes. It is the manufacturers’ wish that we buy many kinds of brushes, that’s why they make them seem vital. Actually, Round and Flat brushes can satisfy your needs entirely. I use Flat brushes more often than Round, but it is more out of habit and I can easily do all of my artworks with nothing but Round brushes of different sizes.

Do we need all shapes? Not at all. It’s perfectly fine to have round brushes and flat brushes – they can satisfy our needs entirely.

So, what are the best materials for brushes? In the Old Masters .Academy ™ we will use both natural and synthetic types of brushes, appropriate for different purposes.

This table, that you can find in your Workbook, helps us understand what the best use is for each particular brush.

They are placed in order, from the most expensive to the least expensive.

If you have just one type of brush, let’s say only Hog brushes of different sizes, you can certainly apply them in any of the processes listed above – not only in processes that are mentioned as suitable, but also in glazing and varnishing. And if you have more appropriate type of brushes for each type of task – use them. If not, it’s ok, deal with what you have.

Let’s look at each brush type, one by one.

Sable Brushes

Sable Brushes are expensive but worth the price. They are long lasting (if you carefully maintain them); they do their job perfectly and are just pleasant to use. These brushes hold their shape when loaded with paint, they will bend and return to their original shape, stroke after stroke. Pony and Squirrel brushes also have soft hair, but they are too soft, they do not keep their shape and are inappropriate for oil painting.

Choose Russian Sable, Kolinsky, Red Sable or Black Sable, whatever you find more appealing to you; they perform great, in similar ways.

Sable brushes have soft, flexible hairs that are ideal for applying thin glazes.

It is possible to use Sable brushes for impasto layers as well. They work excellently in detailed passages, as they form a sharp point which helps you achieve precise strokes.

You can also use them for varnishing, however that would be an uneconomical decision – you need to have individual brushes for varnishing that are absolutely unadulterated and doesn’t contain any particles from oil paints.

Sable brushes are also perfect for painting smooth layers. I wouldn’t create sketches using scumbling and drybrush methods with such costly and delicate brushes. More rigid brushes, that we will look at a bit later, should be chosen for these purposes.

Mongoose Brushes

Mongoose Brushes are very much similar to Sable Brushes in performance, but are slightly less soft. Mongoose hair is responsive and firm, yet delicate to the touch.

Mongoose brushes are excellent in cases when Hog brushes are too rough and Sable is not stiff enough to move thicker paint over the painting surface. Mongoose is priced between Sable and Hog.

You can choose either Sable brushes or Mongoose for your painting process, or you can have both.

Hog Brushes

Hog Brushes are less expensive than Mongoose brushes and has a completely different nature. This type of brush can be used for many purposes, but with limitations. They are perfect for Sketching.

These brushes are suitable for Impasto – brush marks, in the paint, make artwork more vivid. You need to superimpose paint with the brushes carefully, otherwise it’s easy to “plow up” newly applied lower paint.

Stiff and hard Hog Brushes are especially created for such techniques as Scumbling and Drybrush. They are just irreplaceable for the task.

Bristles of the brush wear out relatively fast, especially when used vigorously, and leave small particles of bristles on the surface of the painting. That’s perfectly fine while painting, but for Varnishing it’s better to choose a safe option, like a Synthetic brush.

Bristle brushes are multi-tasking, you can even glaze with them; but test them in glazes yourself. Not everyone will be satisfied with using such a rigid brush during glazing.

When choosing a Hog Brush, be sure that the bristles have natural split-ends. If brushes are suspiciously cheap, they are usually trimmed and are usually only suitable for sketching or unimportant works.

This is how cheap, cropped Hog brushes look and here you see a completely different quality. When it comes to brushes with natural split-ends, they are shaped perfectly.

You can reuse old brushes by trimming them and giving them the desired shape. Such reused brushes can be used for the purpose of Scumbling. Such brushes are even better than new brushes with long bristles.

For priming with Gesso – employ broad bristle brushes, rich in hair, and make sure they are flat-shaped like those used for wall painting; the wider and thicker the brush is, the smoother the Gesso is applied and distributed over a canvas.

Synthetic Brushes

Synthetic Brushes are on the same level as Sable and Mongoose brushes when used in glazing technique. They are equally soft and flexible, however whatever one may say, synthetic is synthetic and you will sense a non-natural feeling during your work, especially if you are used to natural Sable and Mongoose brushes.

What may impress you is the price, which is tangibly lower than the price of Sable and Mongoose.

Best Oil Paint Brushes For Procreate

Medium sized, flat, synthetic brushes are ideal for final Varnishing – neat flexible hairs help spread the varnish evenly on the painting surface. Buy a few Synthetic Brushes, especially for Varnishing, and stick a label to make them distinct from others and keep them exclusively for Varnishing purposes. Varnishing brushes shouldn’t contain oil paint particles.

Synthetic brushes can be used as disposable brushes, for any dirty work, numerous sketches, and for covering a canvas with fast and expressive brush movements. Underpainting can be done with these brushes, the upper layers of a painting can be continued by using other brush types.